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  • Exhibitions
  • Recent works
    • Reflection - Chapter I ( 2021 - )
    • The Guardian series ( 2020 - )
    • The Circle of Time ( 2016 - )
  • Older works
    • Paintings
      • THE LAKE series : 2015 -
      • "Fading Dreams - Disintegrating Realities" ( 2014 - )
      • Far In The North ( 2013 - )
      • Vietnam's Landscapes ( 2010-2014 )
      • NOT MEMORY ( 2008 - 2010 )
      • Red Faces ( 2005 - 2008 )
      • Bride and Bridegroom ( 2004 - 2011 )
    • Drawings
    • Sources
  • Publications
    • Essays
      • Turning Silk into Stone
      • Kìa non non, nước nước, mây mây — Ha Manh Thang’s Ethereal Self-Portrait 
      • Layering Time & Light*
      • Two Strange Paradoxes in Ha Manh Thang’s Painting
      • Of Emperors, soldiers and poetry- the recent painting of Ha Manh Thang (*)
      • Is this Heaven? Monumentality and Doubt in New Works by Ha Manh Thang
      • Aggi Haig's article for Ha Manh Thang solo exhibition "Not Memory"
      • A Painter of A Younger Generation (*)
    • Interviews
      • Dialogue between Artist Hà Mạnh Thắng and Doctor Nora Taylor before solo exhibition Ethereal Places
      • Space / Time & The Light
      • Artist Ha Manh Thang depicts the beauty of “imperfection” from artifacts
    • Books & Catalogs
      • 2017
      • 2014
      • 2010
      • 2009
      • 2008
    • Press
      • TOP 10 Asian Artists to watch,
    • Series Statement
      • Ethereal Places
      • The Reflection series
      • The Circle of Time
      • The Lake series
      • Fading Dreams - Disintegrating Realities's statement
      • Far In The North
      • Vietnam's Landscape
    • Thang's Article
      • Ha Manh Thang's article for Ellipses solo exhibition, VCCA, Dec 2019
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